To give Mr. Lautner his due, he is a martial-arts dervish with perfectly sculptured abs. His acting, however, is another matter. I can’t recall another teenage star so opaque. If his physiognomy — recessed eyes that don’t seem to focus, a wide snub nose and Elvis-y lips — conjure Neanderthal manhood after a cosmetic makeover, his boyish monotone with its utter lack of inflection suggests that he is really an advanced robot simulating human speech without registering emotion or even comprehension.

The New York Times reviews Abduction, Taylor Lautner’s face.
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